One Hit Wonder: Kevin Smith
Last time in this series we looked at documentary film maker Morgan Spurlock, with the judgement and public votes both declaring him a one hit wonder. Now we aim for a (ahem) bigger target: Kevin Smith.
Who is He?
Kevin Smith emerged in the 1990s as something of a hero in the indie film world. He sold his comic collection and filmed a movie in the store in which he worked, producing the smash hit Clerks. he has maintained a steady career in making movies, writing comics (although he could be the worst person at meeting deadlines the comic industry has ever seen – planning on finishing that Batman trilogy any time soon?) and running a series of podcasts about geekery and show business in general.
The Hit
Clerks was in every way a student film. Cast with friends, filmed on borrowed equipment and funded out of pocket. It’s no great shakes to look at but the risque humour, relatable characters and fantastic dialogue made it a cult hit that grew to widespread success. Smith became the voice for disaffected twenty-somethings living directionless lives, and the movie is still heavily referenced and quoted today.
The Follow-Up
Not long after the general release of Clerks did we see Mallrats. Whilst the comedy had plenty of fans it certainly didn’t break any new ground for the director, essentially being a retread of the ideas presented in Clerks but with less taboo based humour, more stunt scenes and celebrity cameos. Suddenly the shining light of indie film was shown through a studio filter. Chasing Amy got back to the indie roots but the unrealistic characters and forced drama didn’t resonate well with many viewers even with positive reviews. Smith also attempted to break new ground with Dogma, a quasi-parody of modern religious attitudes. By this point in the career critics were growing tired with a reliance on using the same characters even if their involvement in the story makes little sense. Dogma suffered under a plodding script and a reliance on a big name cast, and the opinion was split. Smith stated an intention to put the established universe (whose ‘canon’ was only formed through two recurring characters) to bed with Jay and Silent Bob Strike Back, a mish-mash of in-jokes and cameos.
Smith made good on his promise to restart his career with the drama/comedy Jersey Girl. The grossly mishandled and unfunny look at being a single parent was more than just a bad movie, it was offensive and largely derided by critics. Smith quickly went back to his roots with Clerks 2, which was only well received by fans of the director and served to do little more than one-up jokes from the original. This was followed by the lacklustre Zack and Miri Make a Porno – a repeat of his original style with different actors, the universally slammed Cop Out and the anti-climatic Red State.
With his recent output being downright bad it’s surprising that his name is still commonly heard through the film press. This can be attributed to his involvement in other mediums. Smith was quick to use the internet and social media sites as a method of promotion and interaction with fans. He largely uses this to tell fans and critics why they’re wrong about his work, most notably claiming that people giving Cop Out a bad review are akin to “bullying a retarded kid”. He also publicly blamed the failure of the film on star Bruce Willis, claiming that he was difficult to work with (Willis responded that Smith spent the entire shoot smoking marijuana rather than working with the actors). Other incidents include spending several hours on a podcast complaining about an airline taking him off a flight for being fat enough to constitute a safety hazard (in his defence he tried to point out that there was someone fatter) and publishing journals about his anal fissures that resulted from sitting on the toilet for half the day. Classy.
Is He A One-Hit Wonder?
Well, it’s difficult to deny that he has generated a following for his work that stays loyal today. Much of this fandom comes from the recurring humour and characters in his first decade of work, as it’s hard for anyone to defend work such as Cop Out and Jersey Girl. It’s also difficult to say that only one of his films were a hit, as his early output proved somewhat popular.
Having said that, any attempt to stray away from his original formula has resulted in dismal failure. Let’s file this under ‘One Trick Pony’ rather than ‘One Hit Wonder’.
You hit on some things I never really thought about. To be honest I could care less for the man. On occasion I dust off Clerks for “old times sake”, other than that I do not care. I have been told to listen to his podcasts too but I have not found the motivation or desire to do it.
Now the question is; How long before Kevin Smith comes to this site to defend his honor?
LikeLike
I’ve often had the same recommendation, usually from fans trying to excuse is latest film and comic work. After reading ‘My Boring Ass Life’ I’ve heard all I need to know about the man.
Also – who the hell listens to podcasts?
LikeLike
I listen to podcasts all the time. What’s wrong with podcasts?
LikeLike
I get the impression that they have a shrinking market share. Only the shows with loyal viewers seem to do well these days.
LikeLike
My thing about Smith is that he failed to grow as a filmmaker. He found his schtik with Clerks and all the good movies he made afterwards were just about foul mouthed stoners in Jersey. In the films where he tried something different it just seemed like he phoned it in. This in addition to the bad attitude he’s seemed to have adopted and the painful to watch Comic Book Men has soured me on the guy.
LikeLike
He is a massive bellend, but Clerks was brilliant and I actually really enjoyed Zak and Miri. Red State had its elements of fantastic filmmaking and Dogma was alright, so IMO he cannot be classed as a OHW.
LikeLike
Problem with Smith is his own ego. I agree with darknite125 above.
LikeLike
What I like about Kevin Smith is, for him, being a one trick pony isn’t exactly a bad thing. He knows what he can do and he does it. He doesn’t have fun making movies anymore so he just talks about them. And I really like what he has to say. I don’t see him as a one hit wonder because each of his films has it’s own cult following. I don’t see him as a one trick pony becasue I’ve read his script for Superman and it was actually pretty good. When he went into the movies he wanted to have fun and make something he wanted to watch. And he accomplished that. So I have to admire the man.
LikeLike
Excellent article. There are things I like and don’t like about Smith. As far as his work is concerned, I enjoy a few of his films, I love a lot of his comic work, and his speaking engagements are always hilarious. But the man himself clearly has some sensitivity issues, taking great offense to what is largely fair and legitimate criticism of his lesser films, and generally being an overzealous, self-described “publicity whore.”
Still, with his focus turning towards writing and podcasting, I think his greatest talents will be put to better use in the future.
LikeLike
Pingback: Zack and Miri Make A Porno – @SourceFedNerd Movie Club #Porn #SethRogen #Tits #Fucking | MrHairyBrit - Hairy Man of Youtube
I was going to diasgree with you until you changed your statement to “one trick pony.” I think this is much more accurate. Clerks was fantastic, I really like Dogma, I think there are some great ideas and moments in that movie and I have some time for throwaway movies like Zack and Miri. I think he’s far from “one hit wonder” but he’s definitely far from his success on Clerks.
LikeLike
Pingback: One Hit Wonder: Gore Verbinski | Funk's House of Geekery